Starting with a rape in the author’s own apartment, this experimental autobiographic novel defies traditional rape narratives by exploring the complex relationship between domestic violence, urban planning and a corrupt property market. Moving from police disinterest and landlord culpability, via way of a Robocop narrative, prison statistics and a B-movie hit-and-run ending, Jana Leo maps the fault lines of capitalist property speculation and the intersection of sexual crime, class vulnerability and the US justice system.