This is Amanda Welch's account of her Hackney Downs project. She writes: The open-ended process of making memory drawings recording my frequent bicycle trips across Hackney Downs was the starting point for the Hackney Downs work. The relationship between the drawings and the paintings and constructions which followed was not a straightforward one. The drawings were memory jottings. They were not ideas for paintings. At first every attempt to make ‘art‘ out of the drawings seemed a betrayal of their nature. Eventually I did find a way of working directly which, instead of developing ideas from the drawings, in a sense paralleled their ad hoc, ‘non art‘ method of construction. I have tried to tell the story of this journey in my book. The book could be said to be its concluding work.